"Overhead-View-Potter-at-her-Wheel" by Gary Bridgman is licensed under CC BY 2.5
|
|
Braedon Shrier: Architectural Design 1
We were tasked to make an Accessory Dwelling Unit (ADU) that fits in with the requirements given to us by the City of Lewisville. Our designs had to relate to a certain craft, which was provided to us. I was given the craft of pottery/ceramics. I had to explore pottery as well as ceramics to better understand my assignment as an Architect.
Craft Investigation
The process of investigating for my ADU started with designs I found and liked. I then moved on to think about materials. I was focused on making the cottage as eco-friendly as possible. I did not want to disrupt the environment around the site. From there, I was able to generate ideas about the materials that I was going to include in my design.
Concept Design
For my original designs, I wanted to have a place that separates the residents work life from their home live. In order to achieve that idea, the workshop needed to be in a separate place or building.
Concept 01 - the main house and the workshop were separated into two different buildings, to allow for that distinction between work and home. The kiln is built into the house on the side of the workshop to allow for the heat to release and not build up in the cottage.
Concept 02 - the workshop was moved up to the top of the cottage to allow for the most amount of space possible. The beams are used to stabilize the top part of the cottage.
Concept 03 - there are two floors and an extra storage area. The top floor has three big windows on the front to allow for sunlight.
Concept 02 - the workshop was moved up to the top of the cottage to allow for the most amount of space possible. The beams are used to stabilize the top part of the cottage.
Concept 03 - there are two floors and an extra storage area. The top floor has three big windows on the front to allow for sunlight.
|
Concept 01
|
Concept 02
|
Concept 03
|
Schematic Design
The design concept I went with was a combination of Concept 02 and Concept 03. The design allows for amble room in the workshop while still looking and acting like an accessary dwelling unit. The top floor is opened with three big windows that can help to reduce electricity costs.
Final Design
For the final design, the workshop and the living spaces were swapped to allow for easier transportation of the products made from a potter/ceramist. There are stairs on the front of the house to allow the craftsman to enter the workshop without having to walk inside. It also helps to create a strong divide between work and home life.
Project 02: Bridge-House
This project initially seemed nearly impossible, but with each passing day, it became more and more achievable. Our task was to design a house for any type of craftsman that would fit on a bridge no wider than 14 feet. It was a challenging design problem, balancing the need to integrate with the site while preserving the integrity of a historic monument. The Old Alton Bridge, rich in Texas history, was originally built for horse-drawn carriages but was later adapted for automobiles in the early 2000s by adding two wooden planks running the full length of the bridge.
Research
|
To design a building, I first had to become acquainted with the elements I was dealing with. The research process was extensive and comprehensive, covering the history of the Old Alton Bridge, its construction methods and materials, as well as the surrounding environment.
|
|
Project Site
|
Cabin Arrival Method
|
Concept Design
Concept 01: this concept emphasizes maximizing the resident's ability to engage with and experience the bridge and its surrounding environment.
Concept 02: this concept was created with the space in mind. The second-story floor is built around the bridge's truss, integrating the bridge's unique history into the design.
Concept 03: this concept features plenty of open spaces, allowing residents to host guests or enjoy a peaceful retreat amidst trees and nature.
Concept 04: this concept prioritizes practicality. The bottom floor is positioned a foot away from the bridge's side railings, enabling tourists to continue walking along the bridge. The second floor extends over the first, maximizing space while preserving the bridge's structure.
Concept 02: this concept was created with the space in mind. The second-story floor is built around the bridge's truss, integrating the bridge's unique history into the design.
Concept 03: this concept features plenty of open spaces, allowing residents to host guests or enjoy a peaceful retreat amidst trees and nature.
Concept 04: this concept prioritizes practicality. The bottom floor is positioned a foot away from the bridge's side railings, enabling tourists to continue walking along the bridge. The second floor extends over the first, maximizing space while preserving the bridge's structure.
Final Design
The design I chose integrates elements from all the initial concept designs. The layout maximizes available space, with an open-concept floor plan on the first floor that places essential amenities at the front of the house. To ensure minimal distractions, the guest bedroom and master bedroom are located on separate floors, promoting productivity for both occupants. The master bedroom is situated on the same floor as the workshop, reducing walking time and allowing for more efficient work. The house is constructed from a blend of wood, brick, concrete, and stainless steel, creating a vintage aesthetic that echoes the bridge’s long history. The window designs, inspired by Victorian-era architecture, add a touch of elegance, enhancing the overall quality and sophistication of the home.
Plans
Model
